Festival Strings Lucerne & Renaud Capuçon
| December 2017 Spain
French violinist Renaud Capuçon is firmly established internationally as a major soloist, recitalist and chamber musician. He is known and loved for his poise, depth of tone and virtuosity, and he works with the world’s most prestigious orchestras, artists, venues and festivals.
Born in Chambéry in 1976, Renaud Capuçon began his studies at the Conservatoire National Supérieur de Musique de Paris at the age of fourteen, winning numerous awards during his five years there. Following this, Capuçon moved to Berlin to study with Thomas Brandis and Isaac Stern and was awarded the Prize of the Berlin Academy of Arts. In 1997, he was invited by Claudio Abbado to become concert master of the Gustav Mahler Jugendorchester, which he led for three summers, working with conductors including Boulez, Ozawa, Welser-Möst and Claudio Abbado.
This project is managed in association with M.A.M. Management, Vienna

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The very busy Lucerne Festival Strings offers a deliberately wide-ranging repertoire in its own concert series at the Lucerne KKL, as guest ensemble at the Lucerne Festival, in the recording studio and on tour. Since its foundation in 1956, it has premiered more than one hundred works, compositions by Jean Françaix, Frank Martin, Bohuslav Martinu, Sándor Veress, Iannis Xenakis, Krzysztof Penderecki, Klaus Huber and Peter Ruzicka among them.
For more than forty years, from the ensemble’s establishment, Rudolf Baumgartner played a role as a performing artist and in due course as conductor and artistic director of the «Strings», as citizens of Lucerne affectionately refer to the orchestra with its basic core of twenty one musicians. Apart from Baumgartner, formative influence derived from his fellow-founder, the legendary Viennese violinist Wolfgang Schneiderhan and the master pupils of his who originally joined him in the violin section; they were oriented towards the Austro-Hungarian string tradition and its special «golden sound».²
The core consisting of sixteen to seventeen string soloists and a harpsichordist can be expanded depending on requirements, so that the ensemble can perform as an approximately 25-strong chamber orchestra or, for symphonic repertoire, as an up to 60-strong «real top-ranking orchestra».³ In smaller chamber groupings, the Festival Strings Lucerne Chamber Players also have their place in the concert schedule
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